So Late So Soon: A thesis exhibition positioned on the crossroads between sculpture, installation and sound, investigates the line between subject and object as well as the means by which the listener/viewer can be physically integrated into the work.

Some of the works function through direct performative bodily interaction while other works explore heightened awareness of sound, requiring active or enhanced listening to nearly inaudible sound. In all cases the manifestation of sound is visually cued by clues provided by the visual apparatus of the physical installation.

The intention is that the four pieces comprising this exhibition will reveal their overarching thread of experiential meaning to deliver an environmental message speaking to interconnectedness-made-urgent under the imperative of time as it ticks ever onward, to spur a shifting... an unease ....a political response.

Keywords: Anthropocene Climate Change Inaudibility Installation Latour Listening Perception Sound Sculpture